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The Man Who Fell To Earth
(1976, UK)
In director Nicolas Roeg's impressionistic,
hallucinatory, disjointed, non-literal sci-fi film and dramatic parable
- it told about a gentle-minded alien who arrived on Earth seeking
water for his drought-stricken, arid planet Anthea that was facing
a catastrophe. During his experiences on the fertile planet, the
complex, misunderstood alien with a superior intellect and technological
knowledge, was betrayed and corrupted by the usual vices of life
in the US (sexual abuse, alcohol dependency, and greed, power and
materialistic wealth). The disorienting, enigmatic, and densely-surreal
cult film with a non-linear narrative (and jarring cross-cutting
transitions) - a perennial popular 'midnight movie' - was considered
highly provocative, somewhat weird and daring for its time.
It was based upon Walter Tevis' 1963 novel, from an
adapted screenplay by Paul Mayersberg. The
allegorical and satirical R-rated movie included scenes of unusual,
exploratory and explicit sexual encounters (with full frontal nudity
of both major stars), 20 minutes of which was cut from the film's
initially X-rated UK release in order to sanitize it and have it
appeal to US audiences. A television remake followed: The Man
Who Fell to Earth (1987). Main star David Bowie also played the
same character (an extra-terrestrial alien named Ziggy Stardust)
in the concert film Ziggy Stardust and the Spiders
from Mars (1979).
- a pale, ethereal, and clairvoyant humanoid
alien visitor or emissary, Thomas "Tommy" Jerome Newton's
(rock star David Bowie in his feature film acting debut), arrived
on Earth by splashing into a Southwestern lake in New Mexico, near
the small village of Haneyville, NM (elevation 2,850); after the
crash, the hooded coat Newton stumbled down a steep hillside
- he experienced frequent memories/visions
of his Anthean family (his wife and two children) suffering and
dying on his drought-stricken home planet, with only 300 survivors
after the effects of a nuclear war; they were forced to carry scuba
tank-like water-receptacle tubes strapped on their backs in order
to survive
- at first, taking the appearance of a slim, red-haired
Britisher with a passport and nine advanced patents for inventions
(digital photography) on his home planet, he ventured to Manhattan
and hired bookish patent attorney Oliver V. Farnsworth (Buck Henry)
wearing thick-lensed spectacles; the otherworldly entrepreneur
hired Farnsworth to establish and help in setting up
a multi-million dollar, Arizona-based, global-communications technological
firm (World Enterprises Corporation) due to patents (of advanced
inventions from his home planet, including self-developing film);
Thomas told Farnsworth: "My interest
is energy - transference of energy"; soon,
he was able to acquire immense wealth as a financial tycoon
- with Thomas' newly-acquired and tremendous financial
and political power, his objective was to build a space vehicle
and design an infrastructure that could transport water back to
his home planet; however, life on Earth for
Thomas was unsettling and disconcerting, and he was disoriented
and in despair after contact with human society
- when he revisited New Mexico where he had initially
landed, he took the alias name "Mr.
Sussex"; he became nauseated and fainted
in the hotel elevator to the 5th floor, and was rescued by a lonely,
naive and unloved hotel cleaning lady Mary-Lou (Candy Clark) from
Oklahoma; he identified himself as a "traveler"; he had frequent and
often unusual playful encounters with the earthling; she
taught him about many eccentric human ways, including drinking
gin, watching TV, and humanoid sex
- during their turbulent relationship,
he soon became corrupted by the vices and distractions of human
life, including alcohol (mostly gin), guns and violence, consumerism,
wealth, power, religion and sex
- disillusioned, divorced and cynical Chicago college
chemistry professor Dr. Nathan Bryce (Rip Torn) was a 'father-figure'
womanizer ("lecherous old man") who was bedding his young
coed students Helen (Adrienne Larussa), Jill (Hilary Holland),
and Elaine (Linda Hutton); his sexual couplings were intercut with
a scene of Newton watching a traditional Japanese stage performance
with samurai swords
- Bryce denounced his dead-end profession
and profligate lifestyle to become dedicated to Newton's World
Enterprises Corporation as its chief scientific consultant; he
was employed as a fuel technician to help design a transportation
infrastructure to take water back to Anthea; as the boss' confidante,
he had always been suspicious of the unique and strange-acting
Newton and wanted to learn more; through images taken by a secret
X-ray camera in his small cabin on the opposite side of the lake,
Bryce learned the secret of Newton's unusual physiology and his
alien heritage
- Newton was preparing for his long-awaited space
project - the maiden voyage of his spaceship to return water to
his home planet, but it was taking longer than expected; meanwhile,
the reclusive "Tommy's" bored, crippling and addicted
habit was watching a bank of a dozen televisions at once; he marveled
at and admired the medium of television: ("It
shows you everything about life on Earth, but the true mysteries
remain. Perhaps it's in the nature of television. Just waves in
space"),
but was also maddened by TV culture and his obsession with it, and
he screamed at the TV: ("Get
out of my mind, all of you! Stay where you belong! Go away! Go back
where you came from")
- after Bryce had discovered Newton's true and secret
form, Mary-Lou also learned that aliens secreted a semen-like goo;
in a startling revelation sequence, Mary-Lou begged for Tommy to
pay more attention to her and reveal himself: "They think
you're a freak - or a fake. I know you're not. All you have to
do is just prove it to 'em. Let 'em see you as you really are!";
Tommy complied and revealed to her his true Anthean form (pale
skin, bald-haded, androgynous, cat-eyed with yellow slits, and
hairless); she was so startled, panicked, frightened and repulsed
by his genderlessness, that she uncontrollably peed down her leg
at the horrific sight of him ("You're
an alien!"
The Revelation of "Tommy's" True Planet
Anthea Form to Mary-Lou
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- due to major press publicity, the corrupt
government and other rivals had been surveilling and monitoring
him, and wanted to disrupt and stall his plans; after his lawyer
and partner Farnsworth refused to sell Newton's corporation to
other capitalist companies, he was ordered to be murdered (and was
later thrown out of a window); the maiden voyage of the spaceship
was also interrupted
- Newton was kidnapped and taken prisoner, and locked in a secluded
luxury apartment by the State Department; his arrest was predicated
on the fact that his corporation was destabilizing the US economy;
he was brutally dehumanized, and kept passive, defenseless and
unresistant with liberal doses of alcohol, causing him to become
an alcoholic, and allowing his captors to medically test and
examine him; one test permanently glued his contact lens disguise
onto his eyeballs: ("They're stuck! I'll never get them off");
Newton's company eventually went bankrupt; Bryce switched allegiances
to government agent and corporate villain Peters (Bernie Casey) who
had masterminded Thomas' downfall
- after a few decades of captivity passed, Newton
eventually ended up corrupted and ravaged by alcohol and despairing
depression - and unable to return to his doomed home; he met up
again with an equally ravaged and older-looking Mary-Lou
- during a frenzied and loveless encounter with
her during his captivity, Newton drunkenly threatened Mary-Lou
with a pistol and they both struggled with the weapon as sexual
foreplay: ("I think you know, you know too much about me... I can do anything, now,
you know? I can kill you right here on this bed. Then I could phone
room service. And they'd - they'd take your body away, and then I'd
have them send up another girl"); she begged
for her life: ("Oh, Tommy. Tommy. I just want it to be like it
was. Me, the two of us. You. You. The way you were"), and then
he revealed he was fooling her - it was only
a blank-firing fake gun
Mary-Lou (Candy Clark) Wrestling With a Toy Gun:
Sexual Foreplay
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- in the exploratory and explicit sex scene involving
the mock pistol, Tommy dipped the gun's barrel into a glass of
wine, licked it and drank from the glass, and then had a frenzied
and loveless encounter with Mary-Lou - destroying their relationship
forever; they reciprocally declared that they
no longer loved each other: (Mary-Lou: "I don't love you anymore"
Thomas Jerome Newton: "And
I don't love you"); and later, she married Bryce
Threatening Mary-Lou With a Mock Pistol - and Love-Making
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- once released from his captivity, the morose Thomas
had lost his drive, energy, and enthusiasm about returning to Anthea
and his family, and his circumstances no longer permitted the trip;
he recorded an alien message (titled "The Visitor") on a phonograph
record for the inhabitants of his planet to receive via a radio transmission
- in the final scene, Bryce (with a copy of the recorded
album) met up with Thomas in an outdoor restaurant in town;
the final image of Thomas was as a completely
drained, eternally-trapped, broken, depressed and alone alcoholic,
although he had remained youthful looking; he was inebriated in a
cafe chair on an outdoor patio (with his head bowed, and his hat
facing the camera), with the film's final lines after he inquired
about Mary-Lou: ("I think maybe Mr. Newton has had enough, don't you?"
"I think maybe he has")
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Arrival of Humanoid Alien "Tommy" - Splash into
Lake
A Bank of Televisions
Mary-Lou (Candy Clark): "You can come in Tommy, don't
be embarrassed"
Love-Making Between Tommy and Mary-Lou
Mary-Lou Peeing in Shock at the
Sight of Thomas' True Form
Last Image: Thomas Alone and Drunk in a Cafe Chair With
Head Down
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