Tokyo Story (1953, Jp.) (aka Tokyo Monogatari)

In Yasujiro Ozu's acclaimed, deliberately-paced melodramatic masterpiece (the best film of his entire career) - a classic family drama that illustrated how changing industrialized times in post-war Japan of the 1950s had severed the virtue of children and society honoring one's parents, and created tensions between generations - [Note: It was inspired by the Leo McCarey film Make Way for Tomorrow (1937).]:

• the sad yet realistic story was told mostly with knee-high camera placement ("tatami-mat" shot)
• an elderly, unassuming middle-class couple from the provincial western seaport coastal town of Onomichi: Shukishi (Chishu Ryu) and 68 year-old Tomi Hirayama (Chieko Higashiyama) had raised five adult children (one was deceased); their youngest daughter Kyōko (Kyōko Kagawa) lived with them and was a primary school teacher

Shukishi (Chishu Ryu)

Tomi Hirayama (Chieko Higashiyama)

Kyōko (Kyōko Kagawa), Their Youngest Schoolteacher Daughter

• the two parents planned on a two-week journey to travel to Tokyo by train to visit all of their extended family members, including two of their very career-minded, grown children: they first arrived at the home of Dr. Koichi Hirayama (Sô Yamamura), their eldest son - a pediatrician and doctor of internal medicine, and his wife (their daughter-in-law) Fumiko (Kuniko Miyake) and their two children (the grandchildren) - the older son Minoru and younger son Isamu; also there to greet them was their visiting eldest daughter Shige Harayama Kaneko (Haruko Sugimura), Koichi's sister

The Main Hirayama Family Members
Dr. Kiochi Hirayama (Sô Yamamura), a Pediatrician, the Eldest Son	Fumiko Hirayama (Kuniko Miyake), Kiochi's Wife, a Daughter-in-Law
Shige Hirayama Kaneko (Haruko Sugimura), Kiochi's Sister, the Eldest Daughter	Kurazō Kaneko (Nobuo Nakamura), Shige's Husband
\ Noriko Hirayama (Setsuko Hara), Daughter-in-Law	Keizō Hirayama (Shirō Ōsaka), Youngest Son

• at the Hirayamas, the older couple also met with their kind-hearted, sincere and humble widowed daughter-in-law Noriko (Setsuko Hara), a trading company office worker, whose husband (their second son Shōji) had been MIA during the war eight years earlier and was presumed dead
• the two adult children, Kiochi and Shige were both polite to their undemanding parents, but both privately felt interrupted, detached, and imposed upon in space, resources, and time, etc.; the next day, Kiochi was called away by a sick patient, and had to cancel a trip to a department store, angering his young son who had a rude temper tantrum; since their arrival, the elderly parents remained upstairs in Kiochi's home, because there was nobody to take them out - everyone was too busy to entertain them
• the parents moved on to the home of Shige Kaneko, their selfish eldest daughter who was the owner of the Ooh La La Beauty Shop, a hair-dressing salon; her husband Kurazō Kaneko (Nobuo Nakamura) had bought expensive cakes for the in-laws, but then he and Shige ended up eating the cakes themselves; Shige was stingy: ("They don't need such expensive cakes....Crackers would have been good enough for them")
• Shige called Noriko to urge her to take a day off from her work to usher the in-laws around to see the city's sights on a tour bus: ("Father and Mother haven't been anywhere yet...I really should take them myself, but I'm just too busy" - she added); Noriko willingly and happily accepted the task to entertain the in-laws - she was their only caring individual (and not even a blood relative!); the older couple was graciously thankful and grateful that Noriko had spent time with them: ("We saw so many places, thanks to you") and that she served them borrowed sake from a neighbor and a meal, although she humbly told them: "I don't have much to offer"
• meanwhile, Shige and her husband were impatiently asking themselves about the nuisance of the elderly visitors: "I wonder how long they will stay in Tokyo...We can't do anything for them here"; they were plotting to send the parents away to the Atami Hot Springs Resort to keep them occupied while spending as little money as possible on them; they rationalized to each other: "You're busy, and I can't change my work schedule either"
• the older couple had a lonely, miserable time at the resort and hotel due to the noisy nightlife of the other younger guests and they decided to return to Tokyo after one night: ("This place is meant for the younger generation"); they expressed how they had quickly become homesick and were also hoping to go back to their own home soon; Tomi experienced a brief dizzy spell
• prematurely back in the city earlier than expected, they had to split up: (Shukishi joked: "We're really homeless now"); they packed up and went to Ueno Park to await their next move; Tomi planned to spend the night with Noriko, while Shukishi met old friends (the Hattoris) from his hometown
• in the evening in the city, Shukishi reverted to his habit of excessive drinking; while imbibing with his old friends until midnight, he expressed some disappointment and dissatisfaction that his highly-educated doctor son didn't have a more promising career in the highly competitive city of Tokyo; he also spoke about the major changes in the younger generation: ("I was under the impression that my son was doing better, but I've found that he is only a small neighborhood doctor...but we can't expect too much from our children. We can't be greedy....My son is really changed, but I can't help it. After all, there are too many people in Tokyo...I suppose I should be happy")
• while with Noriko, Tomi thanked her for taking her in and admitted: "I'm a burden to everyone"; she encouraged Noriko to remarry at her young age: ("I feel sorry for you...because you're young, and...I feel we're doing you wrong...Should you have the chance, please get married, anytime you want...It pains us that you won't remarry"); Tomi suggested that she might be lonely in her older years if she was alone; the next morning, Tomi was completely and tearfully surprised by Noriko's unexpected gift of some spending money
• later in the middle of the night, Shukishi (with Hattori) was brought home drunk by police to Shige's place; she nagged and expressed upset that her father had started drinking again, and that they had to give up their futons for them: ("What a bother...I hate drunkards. With a stranger, too. Oh, this is disturbing")
• during the parents' early return to their home, they planned to briefly see their younger son Keizō Hirayama (Shirō Ōsaka), a rail company employee, at the Osaka train station; unexpectedly, the parents had to disembark and stay a day or two with him because she had experienced travel sickness and a doctor had to be called twice; he complained to a co-worker: "What a mess!...What a bother"
• while reflecting on their visit, Shukishi and Tomi both spoke about how their children had changed: "I'm surprised how children change. Shige used to be much nicer before...When a daughter is married off, that's the end of it....Children don't live up to their parents' expectations. We can be greedy to no end, but they're doing fine. They're certainly better than average. We're fortunate....We should consider ourselves lucky"
• Tomi became deathly ill soon after arriving home in Onomichi; a telegram was sent by Kyōko to the Tokyo children about her condition: "Mother critically ill - Kyōko"; all of the next generation's children and Noriko quickly traveled to Onomichi as Tomi entered into a coma and soon died (Keizō arrived a few hours after her death although he was the closest, and he could have been there if he had taken an earlier train)
• those who attended the funeral (except for Noriko) were selfish, insincere, and guilt-ridden (Keizō: "I wasn't a very good son"); Shigi only worried about everyone having proper "mourning clothes"; after the funeral at a family meal, Shigi mentioned heartlessly: "I rather wish he had died first. If Kyoko marries, he'll be left all alone," and then she greedily inquired about taking some of her mother's clothes with her

Family Members Gathered Around Tomi's Dead Body

At the Funeral

Post-Funeral Family Meal Together

• Shigi, Kiochi and Keizō made plans to get tickets and quickly left town on the night express train to attend to their own busy lives, while it was expected that Noriko would remain behind to help Kyōko, the youngest daughter
• just before Noriko departed about a week later, Kyōko criticized her siblings for their coarse, ungrateful, rude and uncaring attitudes: ("They're selfish. Demanding things and leaving like this...Wanting her clothes right after her death. I felt so sorry for poor Mother. Even strangers would have been more considerate...I won't ever be like that. Then what's the point of being family...Isn't life disappointing?"); Noriko tried to explain to her how times had changed after children grow older, and that she should be thankful that they were at least a little caring: ("They have their own affairs...Children do drift away from their parents...They have to look after their own lives...Children become like that gradually")
• in the tender concluding scene with the lonely father before Noriko returned to Tokyo on the afternoon train, Shukishi spoke about his wife's time with her as her "happiest time" in Tokyo, and how he wished she would remarry: "I want to see you married as soon as possible"; after he complimented her "nice," "good," and "honest" nature, Noriko responded embarrassingly by admitting that she was sometimes selfish, and didn't always think about her deceased husband Shoji as he thought; he added: "I'll be happy if you forget him," and she agreed that she must change and not be lonely anymore: ("My heart seems to be waiting for something")
• Shukishi presented Noriko with a memento - his dead wife's "old-fashioned" wristwatch, to make her "happy" - it brought tears to Noriko's eyes; he also thankfully and gratefully noted to her: "It's strange. We have children of our own, yet you've done the most for us, and you're not even a blood relative. Thank you"

Shukishi Presenting Noriko With His Deceased Wife's Wristwatch

• Kyōko watched the afternoon train leave from the window of her classroom; sitting on the train, Noriko knew that Shukishi would now suddenly be left to live alone: (Shukishi: "Living alone, I feel the days will get very long"); the film ended on a view of the solitary Shukishi fanning himself - destined to be by himself for the remainder of his life