Greatest Tearjerkers
Scenes and Movie Moments
of All-Time


The Greatest Tearjerkers of All-Time
Title Screen
Movie Title/Year and Brief Tearjerker Scene Description

Camille (1936)

  • the doomed romance in 19th century Paris between French nobleman Armand Duval (Robert Taylor) and ill courtesan Marguerite Gautier (Greta Garbo), and his impassioned speech to her as she died in the inevitable death scene in this timeless classic: ("Think of how happy we were once, how happy we shall be again. Think of the day you found the four leaf clover, and all the good luck it's going to bring us")
  • his reaction to her passing while lying in his arms ("Marguerite. Marguerite! No, don't leave me. Marguerite, come back!"), as he buried his face on her breast, weeping
  • the final fade-out, close-up shot of Marguerite's lovely, radiant face - imperishable in death

Camille's Death

Captains Courageous (1937)

  • in the climactic race back to Gloucester port against a rival schooner, the Jennie Cushman, Portuguese fisherman Manuel Fidello (Spencer Tracy) volunteered to climb to the top of the mast to furl the sail, but was tragically and mortally injured when the mast cracked and he plunged into the water, caught in the tangled rope and the topsail canvas. Just before he was cut loose of the ropes to sink below the surface to his death, he delivered a memorable, sentimental, and tearful goodbye to young Harvey Cheyne (Freddie Bartholomew): ("Now listen to me, leetle feesh. I go now...We had good times together, eh, leetle feesh? We laugh. We sing. So you smile...Manuel - he be watching you. You be best fisherman ever lived...")
  • the final segment was the poignant memorial service scene with Harvey's father (Melvyn Douglas) comforting his son in the final shot - silently, arm in arm, the two watched wreaths float away together in the outgoing tide

Manuel's Death

Memorial Service

Casablanca (1942)


  • the sequence of cafe proprietor Rick Blaine's (Humphrey Bogart) demand of piano player Sam (Dooley Wilson) to play "As Time Goes By": ("You played it for her, you can play it for me...If she can stand it, I can. Play it!")
  • the subsequent flashback to pre-occupation Paris and Rick's romance with former lover Ilsa (Ingrid Bergman), and the ink of Ilsa's farewell note being washed away in the rain when she didn't show up at the train station
  • the scene between the two past lovers in Rick's apartment when she held a gun on him to get the letters of transit - but then broke down: ("If you knew how much I loved you, how much I still love you!") - with the two of them falling into each other's arms and kissing passionately
  • the touching goodbye scene between trench-coated Rick and Ilsa on the rainy, foggy airstrip runway in Casablanca, with Rick's self-sacrifice in urging Ilsa to leave on the plane with Resistance leader-husband Victor Laszlo (Paul Heinreid): ("Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now. Here's lookin' at you, kid")
Rick's Airport Goodbye to Ilsa and Last Lines
"Louis, I think this is the beginning of a beautiful friendship"
  • Rick's famous last line to police chief Renault (Claude Rains): ("Louis, I think this is the beginning of a beautiful friendship")

Entrance of Ilsa

Rick Drinking Alone

Memories of Paris

Ilsa's Farewell Note to Rick in Paris

Ilsa Demanding the Letters of Transit

Illicit Love in Rick's Apartment

Cast Away (2000)

  • the scene in which globe-trotting but stranded castaway FedEx delivery man Chuck Noland (Tom Hanks) lost his "best friend" Wilson (a deflated volleyball with a painted face - his bloody hand-print) when it fell off his raft and drifted away while he was attempting to escape the deserted island - he sobbed at the loss ("I'm sorry Wilson, I'm sorry")
  • the subsequent scene of his discovery-rescue, when a gigantic cargo-freighter roared into view behind his raft
  • Chuck's difficult and bittersweet reunion scene with his ex-fiancee Kelly Frears (Helen Hunt), who had been married and bore a child in his absence. They hugged and kissed in the rain and restated their love for each other: (Kelly: "I always knew you were alive. I knew it. But everybody said I had to stop saying that -- that I had to let you go. I love you. You're the love of my life." Chuck: "I love you too, Kelly. More than you'll ever know" - and then he realized that they had to let go of each other: "You have to go home")
  • Chuck's long monologue about his failed suicide attempt on the island, his reaction to being back in civilization, and his loss of Kelly: ("We both had done the math, and -- Kelly added it all up. She knew she had to let me go. I added it up, knew that I'd, I'd lost her. 'Cause I was never gonna get off that island. I was gonna die there, totally alone. I mean, I was gonna get sick or I was gonna get injured or something. The only choice I had, the only thing I could control was when and how and where that was gonna happen. So, I made a rope. And I went up to the summit to hang myself. But I had to test it, you know? Of course. You know me. And the weight of the log snapped the limb of the tree. So l-l-- I couldn't even kill myself the way I wanted to. I had power over nothing. And that's when this feeling came over me like a warm blanket. I knew, somehow, that I had to stay alive. Somehow. I had to keep breathing, even though there was no reason to hope. And all my logic said that I would never see this place again. So that's what I did. I stayed alive. I kept breathing. And one day that logic was proven all wrong, because the tide came in, gave me a sail. And now, here I am. I'm back, in Memphis, talking to you. I have ice in my glass. And I've lost her all over again. I'm so sad that I don't have Kelly. But I'm so grateful that she was with me on that island. And I know what I have to do now. I gotta keep breathing. Because tomorrow, the sun will rise. Who knows what the tide could bring?")
  • in the conclusion, Chuck made an attempt to deliver the one FedEx package (with angel wings drawn on it) that he didn't open on the island. He brought it to the address of the sender, Bettina Peterson - at a back-country farm-house in Canadian, Texas - the residence of an artist who specialized in giant sculptures of wings (displayed on the ranch's gate entrance). He wrote a note to leave with the package when the occupant wasn't home: ("This package saved my life. Thank you. Chuck Noland")
Final Scene at Rural Crossroads
  • in the final scene at a rural crossroads (literally and figuratively) where Chuck parked his FedEx truck and began looking at a map, a friendly, unidentified, flirtatious, red-headed local woman (Lari White) pulled up in a dark red truck and assisted with directions, since he appeared lost: ("Well, that's 83 South. And this road here will hook you up with l-40 East. Uhm, if you turn right, that'll take you to Amarillo, Flagstaff, California. And if you head back that direction, you'll find a whole lotta nothin' all the way to Canada...Good luck, cowboy")
  • the film concluded with Chuck's enigmatic smile at the crossroads, after he noticed angel wings painted on the back of the woman's truck and realized she was the package's sender

Loss of 'Wilson'

Discovery-Rescue of Chuck From Island

Reunion Scene with Ex-Fiancee Kelly

Chuck's Monologue About His Life

The Champ (1931)
The Champ (1979)

#38 (1931)
#8 (1979)

  • the emotional locker room death scene of mortally wounded boxer Billy Flynn (Jon Voight) with his young son T.J. (Ricky Schroder) at his side - the 1979 film was a remake of the original classic 1931 film starring Wallace Beery as boxer Andy "Champ" Purcell and Jackie Cooper as young son Dink

Charlotte's Web (1973)

  • the moving death of spider Charlotte (voice of Debbie Reynolds) on a wooden beam while singing the last lines of "Mother Earth and Father Time" - she had sacrificed herself for ill-fated friend Wilbur the pig (voice of Henry Gibson) and producing her magnum opus (an egg sac)
  • Wilbur gave a despairing cry of "CHARLOTTE!" when he realized she was gone forever

Charly (1968)


  • the sorrowful scene in which former 59-IQ Charly Gordon (Cliff Robertson) found out that his newfound super-intelligence was only temporary and then told former teacher and lover Alice Kinnian (Claire Bloom) to leave him (after she had proposed marriage to him)
  • the tearjerking freeze-frame shot of Charly, once again mentally retarded but smiling and care-free, playing with other children on a see-saw

Charly Again Reverted to Retardation

Chinatown (1974)

  • the tragic ending scene in LA's Chinatown, when Evelyn Mulwray (Faye Dunaway) fled in a convertible and was shot in the back of the head - there was a sense of loss and dread as the car slowed to a stop in the far distance with its horn blaring, as her blonde daughter Katherine (Belinda Palmer) screamed and was grabbed by Evelyn's father Noah Cross (John Huston)
  • the revelation of Evelyn's tragic death - she was shot through the head from behind as her face was horribly blown apart through her flawed eye
  • the haunting closing line to a stunned and saddened private investigator Jake Gittes (Jack Nicholson): ("Forget it, Jake, it's Chinatown")

Evelyn's Tragic Death

"Forget it, Jake, it's Chinatown"

A Christmas Carol (1951, UK) (aka Scrooge)

  • the sad moment that Ebenezer Scrooge (Alastair Sim) learned the fate of Bob Cratchit's (Mervyn Johns) son "Tiny" Tim (Glyn Dearman) when he visited the future with The Spirit of Christmas Yet To Come (C. Konarski) - and Tim's death was beautifully signified by the shot of an empty stool with a small crutch leaning against the wall next to it
  • Scrooge's visitation to his own grave which he fell upon, and then offering up a plea to the ghost: ("Tell me l'm not already dead. Hear me, Spirit, l'm not the man l was. Believe me, l'm not the man l was! Why show me all this, if I am beyond all hope? Oh, pity me, Spirit, pity me! And help me! Help me to sponge away the writing on the stone if l repent. And l do repent, l do repent! l'll make good the wrongs l've done my fellow man. And, l'll - l'll change! l'm not the man l was. l'm not the man l was! Believe me. Believe me! l'm not the man l was! Believe me! l'm not the man l was. l'm not the man l was!")
  • the joyous redemptive ending in which a reformed Scrooge visited the Cratchit family on Christmas morning, and was uncontrollably happy, and the Narrator's summation of Scrooge's transformation, including Tiny Tim's famous last line: ("Scrooge was better than his word. He became as good a friend, as good a master, and as good a man as the good old city ever knew, or any other good old city, town, or borough in the good old world. And to Tiny Tim who lived and got well again, he became a second father....And it was always said that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us. And so, as Tiny Tim observed, 'God Bless Us - Everyone.'")

Tiny Tim's Empty Stool and Crutch

Scrooge At Gravesite: "I'm not the man I was"

Reformed Scrooge with Tiny Tim

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

  • the scene of the cruel sacrifice of the majestic, Messianic lion Aslan (voice of Liam Neeson) at the Great Stone Table. Aslan proceeded alone to the altar, through a gauntlet of the White Witch's (Tilda Swinton) hideous and evil followers. After the "great lion" was humiliated and laughed at - without fighting back, he was bound up and his glorious mane was shaved
  • Aslan was then dragged to the altar where the White Witch told him: ("Did you honestly think by all this that you could save the human traitor? You are giving me your life and saving no one. So much for love"). She stood and announced to the cheering, frenzied crowd: ("Tonight, the Deep Magic will be appeased. But tomorrow, we will take Narnia forever! In that knowledge, despair and die!") She then plunged her dagger into Aslan's side to kill the "Great Cat."
  • having witnessed the death, Lucy (Georgie Henley) and Susan Pevensie (Anna Popplewell) afterwards went up to the altar to grieve over Aslan's corpse

Grieving the Death of Aslan at the Great Stone Table

Greatest Film Tearjerkers, Moments and Scenes
(alphabetical by film title)
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